About Me
I'm a Canadian PhD student living in Scotland, where I study music, media, and culture at Stirling University.


My Work
Current:
Curriculum Vitae
PhD Abstract

Peer-reviewed articles:
The rough guide to critics: musicians discuss the role of the music press (Popular Music 25:2, 2006)

Conference papers:
Comparing the shaming of jazz and rhythm and blues in music criticism (Experience Music Project 2006)

Was Newport 1969 the Altamont of Jazz? The role of music festivals in shaping the jazz-rock fusion debate (Leeds International Jazz Conference 2006)

Down Beat vs. Rolling Stone: the battle for authority in the American music press, 1967-1970 (IASPM Biennial Conference 2005)

Web articles:
Sounds Prohibited
Brain Machines

CD reviews:
Proffessor Undressor
Manitoba

Current musical projects: Zoey Van Goey
Maritime Rock Opera Club

Contact
m.t.brennan at stir.ac.uk
Links
Friends With Websites:
Dru (The Dominion)
Sylvia Nickerson
Inez Templeton
Inez: the blog
Clark Richards
Tara Wells
Max Liboiron
John Haney
Eva Bartlett

Musical Friends:
David Myles
Jamie (Near Earth Astronaut)
Jay (Proffessor Undressor)
Jim (Shotgun and Jaybird)
Jon (Rhume)
Kirk (Orchard Hill Road)
Mark, Mike (Barriomatic Trust)
Matt Johnston
Pat (Random Andy)
Troy (Pimp Tea)

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By Category:
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aural creativity (12)
books (1)
flicks (8)
inspiration (3)
mad science (4)
media theory (4)
music biz (10)
other (6)
personal (13)
powers that be (7)
travel (4)
visual creativity (9)
words (1)


By Month:
September 2006 (1)
July 2006 (1)
June 2006 (2)
May 2006 (1)
April 2006 (2)
March 2006 (1)
January 2006 (3)
December 2005 (1)
November 2005 (1)
October 2005 (1)
September 2005 (1)
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June 2005 (1)
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April 2005 (1)
March 2005 (3)
February 2005 (3)
January 2005 (1)
December 2004 (1)
November 2004 (2)
October 2004 (5)
September 2004 (3)
August 2004 (1)
July 2004 (3)
June 2004 (3)
May 2004 (6)
April 2004 (6)
March 2004 (8)
February 2004 (7)
January 2004 (11)
December 2003 (2)

February 09, 2004

An imaginary recording career

mingering mike.jpg

There's a great article in the New York Times which explains how a record collector stumbled upon one of the most fascinating works of folk art ever. Check out his story...

New York Times: "I went to a flea market, and there was a huge record collection there, at least 20 boxes," Mr. Hadar said, recalling the morning of the discovery. "I was going through that very happily when I came across this box full of strange hand-painted album covers. I realized they were fake and was about to put them back, but then I looked at them more closely."

Pulling the records out of the sleeves, he was surprised to find that they were made not of vinyl but of cardboard. Each had been cut in the shape of a record, with grooves and a hand-lettered label painted on. Nearly all the albums were credited to an unknown black musician named Mingering Mike, and dated from 1968 to 1976.

The front covers were intricately painted to look like classic funk albums; on the spines were titles and fake catalog numbers; the backs had everything from liner notes to copyright information to original logos; the inner sleeve was often a shopping bag meticulously taped together to hold a record; and some actually opened to reveal beautiful gatefold sleeves. A few albums had even been covered in shrink-wrap and bore price stickers and labels with apocryphal promotional quotes.

What Mr. Hadar found was a cache of seemingly nonexistent music: soundtracks to imaginary films, instrumental albums, a benefit album for sickle cell anemia, a tribute to Bruce Lee, a triple-record work titled "Life in Paris," songs protesting the Vietnam War and promoting racial unity, and records of Christmas, Easter and American bicentennial music. He had discovered, perhaps, an outsider artist....

Visit the link to read on and be inspired.

Posted by matt at February 9, 2004 03:40 PM